Ngadlu tampinthi ngadlu Kaurna Miyurna yartangka. Munaintya puru purruna ngadlu-itya. Munaintyanangku yalaka tarrkarriana tuntarri.

We acknowledge we are on Kaurna Miyurna land. The Dreaming is still living. From the past, in the present, into the future, forever.

Cultural Sensitivity Warning
It is a condition of use of the cultural components of the Museum Archives that users ensure that any disclosure of information contained in this collection is consistent with the views and sensitivities of Indigenous people. Users are warned that there may be words and descriptions that may be culturally sensitive and which might not normally be used in certain public or community contexts. Users should also be aware that some records document research into people and cultures using a scientific research model dating from the first half of the twentieth century, and depicts people as research subjects in ways which may today be considered offensive. Some records contain terms and annotations that reflect the author's attitude or that of the period in which the item was written, and may be considered inappropriate today in some circumstances. Users should be aware that in some Indigenous communities, hearing names of deceased persons might cause sadness or distress, particularly to the relatives of these people. Furthermore, certain totemic symbols may also have prohibitions relating to the age, initiation and ceremonial status or clan of the person who may see them. Records included may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions that the Museum is required to maintain.
Accept

1. Four film negatives and photographs.
2. 'Ceremony. Mbu, the ghost representing the first corpse to be mummified, tied up in bark ans supported on forked sticks'.
3. 'Ceremony. Ghost representing first corpse to be mummified tied up in bark and supported on forked sticks'.
4. 'Ceremony. Oyster, pulwaiya goes down into his auwa after being speared by a shark; he is attended by his younger brother who catches lice in his hair; elder brother is gradually assuming the sessile position of the oyster'.
5. 'Ceremony. Drama of oyster pulwaiya. Performer has nose flattened by tying, face covered with white ash pigment and the mouth proped open with a stick to represent the oyster shell opened for eating'.

CreatorUrsula Hope McConnel
ControlAA 191/23/2/5
Quantity 0.1cm,   4   photographs & film negatives
FormatsPhotographic Film Negatives, Loose Photographic Prints
Series AA 191/23
BESbswy