Ngadlu tampinthi ngadlu Kaurna Miyurna yartangka. Munaintya puru purruna ngadlu-itya. Munaintyanangku yalaka tarrkarriana tuntarri.

We acknowledge we are on Kaurna Miyurna land. The Dreaming is still living. From the past, in the present, into the future, forever.

Cultural Sensitivity Warning
It is a condition of use of the cultural components of the Museum Archives that users ensure that any disclosure of information contained in this collection is consistent with the views and sensitivities of Indigenous people. Users are warned that there may be words and descriptions that may be culturally sensitive and which might not normally be used in certain public or community contexts. Users should also be aware that some records document research into people and cultures using a scientific research model dating from the first half of the twentieth century, and depicts people as research subjects in ways which may today be considered offensive. Some records contain terms and annotations that reflect the author's attitude or that of the period in which the item was written, and may be considered inappropriate today in some circumstances. Users should be aware that in some Indigenous communities, hearing names of deceased persons might cause sadness or distress, particularly to the relatives of these people. Furthermore, certain totemic symbols may also have prohibitions relating to the age, initiation and ceremonial status or clan of the person who may see them. Records included may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions that the Museum is required to maintain.
Accept

Henry Hall Baily

Archive Collections / Henry Hall Baily
Died : 15 June, 1896

Henry Hall Baily was born in Tasmania, son of John Richard Baily, steward to Bishop Francis Russell Nixon.

Baily went to England in 1861 and trained at the London School of Photography, returning to Tasmania in the mid 1860's.

A painter and professional photographer, Baily's most productive period was from 1861 through 1881. He advertised both photographic and oil portraits through the 1870s, and had significant acclaim at the Melbourne Intercolonial Exhibition and the New South Wales Academy of Art. Bailey exhibited in both Melbourne and Sydney while continuing to have a practice in Hobart, a practice his son, also called Henry, eventually took over.

Inventory Listings by Series
BESbswy